EXPERIMENTATION
I first developed an objective measurement "metric" which - it turns out - is not in the classical tools of sound engineers (I am not talking here about a phase correlation measure). It turned out that the signal from the vinyl did not have the same "spatial dimension", nor the same "roundness" as its CD’s version, for similar frequency response curve and dynamic range.
On this basis, I developed proprietary algorithms - with adjustment variables - to emulate the audio output of a vinyl sound from a mastered source done for CD media.
After quantifying the results and submitting « blind tests" to several expert listeners, it seems to me I have achieved a very satisfactory processing, which immediately generates « listening pleasure » ... while keeping the benefit of the digital support (mobility, streaming, DNLA, ...).
Some extracts to listen below.